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Visual Arts

Description of prison life in one of the earlier pieces

Calligraphy in Prison

Mirza Mohammad Seifi Qazwini, also known as Emadolkottab (1861-1936), was a master calligrapher of Nasta’liq in the late Qajar period. Because of his membership in a terrorist group “Komiteye Mojazat – punishment committee” and writing the group’s unsigned leaflets, he was arrested and spent five years of his life in prison.

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From Nooshi Kanoom to Showkat Kanoom

Postcard from Nooshi Kanoom

Nushi Khanum, daughter of Khanum Khanumha and Mirza Husayn Shaykh al-Islam, writes to her paternal aunt, Shawkat Khanum Ashraf al-Saltanah, daughter of Zahra Khanum and Mirza Abu Turab. Sent from Qavzin to Tehran. Early 20th century.

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Tourist Brochure for Isfahan, Iran, late 1960s

Two Tourist Brochures

Two tourist brochures for Khorassan and Isfahan regions in Iran. Published by Iran National Tourist Organization sometime in the second half of the 1960s.

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Cover Design by Behzad Golpaygani (18)

Behzad Golpaygani’s Cover Designs

Behzad Golpayegani (1938-1985) was a graphic designer who worked in 1970s for various journals, such as Peyk and Talaash. He also designed many book covers for the Franklin company, a publisher of pocket-sized paperbacks. The use of typography and kraft board distinguished him from other Iranian designers.

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Pen Case with Scenes from the Haft Paykar

Pen Case with Scenes from the “Haft Paykar”

This pen case is decorated with scenes from the Haft paykar (or Seven Images), one of five compositions that make up the Khamsa (Quintet) by the medieval poet Nizami of Ganja (ca. 1141–1209). This work narrates the life of the pre-Islamic Sassanian king Bahram V Gur, who is transformed from a pleasure-seeking prince into a wise and just king guided by law.

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